Kay Ryan Anthology

Sharks Teeth 
Everything contains some
silence. Noise gets
its zest from the
small shark's-tooth-
shaped fragments
of rest angled
in it. An hour
of city holds maybe
a minute of these
remnants of a time
when silence reigned,
compact and dangerous
as a shark. Sometimes
a bit of a tail
or fin can still
be sensed in parks.
 
Nothing Ventured
Nothing exists as a block
and cannot be parceled up.
So if nothing's ventured
it's not just talk;
it's the big wager.
Don't you wonder
how people think
the banks of space 
and time don't matter?
How they'll drain
the big tanks down to 
slime and salamanders
and want thanks?
 
Patience  
Patience is
wider than one
once envisioned,
with ribbons
of rivers
and distant 
ranges and 
tasks undertaken
and finished
with modest 
relish by
natives in their 
native dress.
Who would 
have guessed
it possible 
that waiting
is sustainable—
a place with 
its own harvests.
Or that in 
time's fullness
the diamonds 
of patience
couldn't be 
distinguished
from the genuine 
in brilliance
or hardness.
 
A Certain Kind of Eden
It seems like you could, but
you can’t go back and pull
the roots and runners and replant.
It’s all too deep for that.
You’ve overprized intention,
have mistaken any bent you’re given
for control. You thought you chose
the bean and chose the soil.
You even thought you abandoned
one or two gardens. But those things
keep growing where we put them—
if we put them at all.
A certain kind of Eden holds us thrall.
Even the one vine that tendrils out alone
in time turns on its own impulse,
twisting back down its upward course
a strong and then a stronger rope,
the greenest saddest strongest
kind of hope.
 
A Ball Rolls on a Point
The whole ball
of who we are
presses into
the green baize
at a single tiny
spot. An aural
track of crackle
betrays our passage
through the
fibrous jungle.
It’s hot and
desperate. Insects
spring out of it.
The pressure is
intense, and the
sense that we’ve
lost proportion.
As though bringing
too much to bear
too locally were
our decision.
 
All You Did
There doesn’t seem
to be a crack. A
higher pin cannot
be set. Nor can
you go back. You
hadn’t even known
the face was vertical.
All you did was
walk into a room.
The tipping up
from flat was
gradual, you
must assume.
 
The Edge of Time
All you
have to lose
is one
connection
and the mind   
uncouples
all the way back.   
It seems
to have been
a train.
There seems
to have been
a track.
The things
that you
unpack
from the
abandoned cars   
cannot sustain   
life: a crate of   
tractor axles,   
for example,
a dozen dozen   
clasp knives,   
a hundred   
bolts of satin—
perhaps you   
specialized   
more than   
you imagined.

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